Concert Reviews

“Her voice delights: smooth, rich in color, warm and dark, cooling and bright, voluminous and elegant.”
Passauer Neue Presse

“…She immersed herself in the lyrics, expressively and with the greatest intensity…Morein offered up the Kunstlied in rounded form: accent-free, and combined with a beautiful, clear voice and warm timbre… the European premiere of Jennifer Higdon's “Lilacs”…Donna Morein put all her soul and expressive power into this song!”
Straubinger Tagblatt

“Mezzo-soprano Donna Morein owns a gorgeous voice, and she proved she knows how to use it from the first phrase of a 20th-Century art song masterpiece, Ravel’s Chanson Madecasses.”
The Broad Street Review

Mezzo Soloist in Verdi’s Requiem
"Donna Morein, with her full dramatic mezzo and profound interpretation, presented an extraordinary performance." Orpheus

Alto Solo in Mahler’s Symphony No.3
"The Alto Donna Morein, whose voice combines clarity, power and warmth in an ideal way, sang the 4th movement, 'O Mensch Gibt Acht' with the breadth of experience of a great artist and mature woman."
Südkurier

Maurizio Kagel, A LETTER- Concert Scene for Mezzo-Soprano and Orchestra
“…It contained all of two words- “Meine Liebe. “Donna Morein made it into a piece worth seeing, and a real musical delight.” Morgenpost, Chemnitz

“…Donna Morein… using every possible vocal means to bring out the
character’s emotionally tattered spirit.”
Freie Presse, Chemnitz

“Donna Morein brought this wonderfully onto the stage…and the tearing of the letter at
the end of the piece by the soloist and the percussionist belongs to one of the best
ideas of the evening.”
Dresdner Neueste Nachrichten